000			01820nam a2200229 4500
999			_c187031 _d187031
008			190430b ||||| |||| 00| 0 eng d
020			_a9780521001922 (pbk.)
020			_a9780521807340(hbk.)
082			_a927.80 Moz/Kee/Cam
100			_an.a.
245			_aThe Cambridge companion to Mozart
260			_aCambridge ; New York _bCambridge University Press _c2003
300			_aill. ;xvii, 24.5cm,292 p.
440			_aCambridge Companions to Music
500			_aIncludes note on contributors, list of abbreviations, chronology of Mozart's life and works (p.vii-xvii)
504			_aIncludes bibliographical references (p.246-292) Includes general index as well as index of Mozart's works.
520			_aThe Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.
600			_aMozart, Wolfgang Amadeus, _d1756-1791 _xCriticism and interpretation. _qMozart, Wolfgang Amadeus
650			_aMozart
700			_a Keefe, Simon P (ed.) _d1968
942			_2ddc _cBK