| 000 -LEADER |
|---|
| fixed length control field |
01820nam a2200229 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
190430b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780521001922 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780521807340(hbk.) |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
927.80 Moz/Kee/Cam |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
n.a. |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
The Cambridge companion to Mozart |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Cambridge ; New York |
| Name of publisher, distributor, etc |
Cambridge University Press |
| Date of publication, distribution, etc |
2003 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ill. ;xvii, 24.5cm,292 p. |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Cambridge Companions to Music |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes note on contributors, list of abbreviations, chronology of Mozart's life and works (p.vii-xvii) |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (p.246-292) Includes general index as well as index of Mozart's works. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music. |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mozart, Wolfgang Amadeus, |
| Dates associated with a name |
1756-1791 |
| General subdivision |
Criticism and interpretation. |
| Fuller form of name |
Mozart, Wolfgang Amadeus |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Mozart |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Keefe, Simon P (ed.) |
| Dates associated with a name |
1968 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Item type |
Books |
